From his first solo show at Mary Boone Gallery in 1979 to his critically acclaimed film The Diving Bell and the Butterfly (2007), director and artist Julian Schnabel is world-renowned for his eye-catching artwork and thought-provoking films. Called “the master of conspicuous pictorial consumption” by New York Times art critic Roberta Smith, Schnabel initially came to prominence for his oversized paintings set on crushed plates. The hype that often surrounded Schnabel, an eccentric character known for wearing pajamas about town, led to sold-out shows in the early ’80s and his popularity as a Neo-Expressionist artist.

Each of Schnabel’s screenplays gives the audience an intimate look into the mind of a tortured genius imprisoned by his outsider status. Despite their limitations, each character retains a distinct resilience and individuality. Basquiat, Schnabel’s directorial debut, offers an insider’s look into the art world, with a notably critical eye towards the many gallery owners and art dealers who sought to cash in on the popularity of the young artist. A cautionary tale and a warning against the dangers of excess, Basquiat continues to hold relevance today.