The film is adapted from Ernest Cline's 2011 novel, a nod to all things '80s nostalgia and a cornucopia of media references across the genres of movies, music, television, video games, and everything in between. Its literary tropes are set from the first page:
Orphaned protagonist destined to be a hero? Check.
Clichéd evil corporate antagonist? Check.
Characters set out on a quest to find a treasure and end up finding out more about themselves along the way? Check.
Final battle where good triumphs over evil? Check.
And they all lived happily ever after? Well, that depends on your own interpretation...
When I initially read the book, I thought it was entertaining, despite its overt fan fiction feel. And I'm not one of those readers who expects every story I read or movie I see to be wholly original; we are definitely at a point in history where everything is informed in some way or another by something that preceded it. I haven't gone back and re-read the book, but seeing the trailer for the film adaptation leaves me feeling... exhausted? The visual representation of all of those pop culture references, whether overt or eye-winking, just comes across like information overload. And perhaps that's the whole point—a total pop culture apocalypse.
The guy in control of all those billions of 0's and 1's blasting through the (n)ether and onto the screen? One of the bastions of blockbuster pop culture himself—Steven Speilberg. If ever there was a purveyor of Easter Eggs and MacGuffin's, it's Speilberg—Indiana Jones, Back to the Future, Jaws, Jurassic Park, to name just a few, are chock full of the things! Speilberg seems like both the perfect and worst person to have adapted this book for the screen, as the characters and story seem to be influenced by or directly rip off Speilberg's own past achievements. Talk about pop eating itself!
I saw Ready Player One and I enjoyed it at the time. However, it did not leave me with much. Just like the Hunger games series, without the inner monologue of the main character, many things did not translate. I guess we will see Ernest Cline's Armada next on the big screen. See you in the Oasis if it ever comes to fruition.