Grip was highly intelligent and talkative, as ravens usually are, with an extensive vocabulary to boot. She was also precocious with a tendency to roam freely throughout the house to the occasional dismay of the family. One day, Grip bit one of the Dickens children, and Dickens punished her by exiling her to the outdoor shed. While this prevented Grip from harassing the family, it did little to squelch her curiosity. During one of her daily explorations, she stumbled upon an opened can of paint. Grip ingested some paint, and eventually died of lead poisoning (paints back then were lead based.) Dickens was distraught by Grip’s unexpected death. Soon after, Dickens took Grip’s remains to a taxidermist, paid to have her stuffed, and returned home with her, where Grip continued to keep Dickens company for years to come. Following Dickens' death, Grip was sold in an auction alongside many other items belonging to Dickens. Col. Richard Gimbel, who eventually purchased Grip, bequeathed it to the Free Library in 1971 as part of a larger gift.
So, how did Grip grip the public's imagination? The story continues with Dickens, who created a literary character inspired by his pet, in a serialized novel titled, Barnaby Rudge. Barnaby was a boy who had trouble speaking, and Grip became his talking sidekick with a number of funny lines throughout the story. In the Free Library’s collection of Charles Dickens you can read from a letter Dickens wrote to a friend, asking him whether he thought the idea of a talking raven could achieve the comedic effect he desired. But Grip's popularity would be established not by Dickens' Grip in Barnaby Rudge, but indirectly through Edgar Allan Poe's use of the bird in his poem, The Raven.
Poe scratched out a living by reviewing books, editing literary articles, and contributing works to literary newspapers because he did not earn enough money through the publication of his own literary works. He reviewed Barnaby Rudgefor the Philadelphia publication, Graham's Magazine. He gave it a favorable review, but what really stood out for him was the character of Grip. Poe argued that Dickens could have used Grip more effectively and creatively as a character throughout his novel. Shortly after the review, Poe proved his point when he wrote what would turn out to be his most renowned poem, The Raven. In the poem, Poe used the character of a raven to symbolize human mortality and sorrow, as the bird repeatedly uttered the hauntingly famous word, "nevermore" to rhyme with the narrator's lost love's name, "Lenore." Critics generally agree that The Raven is among the most notable poems in America, and that it was the character of Grip in Barnaby Rudge that most probably inspired Poe to write it. The Free Library of Philadelphia owns the only complete copy of The Raven in Poe's hand.
Even today, Grip continues to garner a lot of attention. A few years back, two of Dickens’ great, great grandchildren, Lucinda Hawksley and Gerald Dickens, visited the Rare Book Department. Hawksley, an accomplished author, contributed an article to the BBC on Grip's historical, literary, and cultural impact. On another occasion, Atlas Obscura covered Grip by writing about her as a "strange piece of history."
As the lead caretaker of the ravens at the Tower of London, Skaife shared with the Rare Book staff two interesting tidbits of infomation:
Grip is a female (for the longest time we thought Grip was a male)
If the ravens were to leave the Tower of London and never return, the English monarchy would collapse (the birds do not have their wings clipped; they are free to fly away whenever they wish}.
The Ravenmaster and his team of beefeaters are therefore entrusted with ensuring the ravens remain happy and well-cared for. As an interesting sidenote, the published author, Boria Sax, who wrote several books on mythical birds, animals, and ravens, connects Dickens to the ravens at the Tower of London, by arguing that Dickens may have owned and preserverd another raven by the name of Black Jack, which he then gave to the Tower of London after its death. Although Sax's theory is speculative, Skaife introduced a new raven to the Tower of London, which he named Gripp (note the extra "p") as homage to Dickens and Grip.
Visitors can see Grip in person in the Rare Book Department at the Free Library of Philadelphia, Monday through Saturday, from 9:00 a.m.-5:00 p.m.
Grip, Charles Dickens' Pet Raven
Charles Dickens - Portrait after Gurney Photograph
"Ultima Thule" daguerreotype of Edgar Allan Poe, recto image
Great article, Joe! This information should be displayed prominently near the exhibit.
Jerry Franklin - Philadelphia
Wednesday, December 5, 2018
Oh what a wonderful story about the raven. So informative. I love finding tidbit type articles such as this! One can never learn too much about anything. Thank you. Joyce
Joyce McKeough - Philadelphia
Sunday, December 9, 2018
Nancy Stock-Allen - carversville
Wednesday, December 12, 2018
Very well written article. I enjoyed it immensely.
George Germek - New Jersey
Tuesday, January 29, 2019
Well dear Grip, if you only knew how long the legacy of inspiration you created would last! Fans of literature thank you for your contributions! Thanks, too, to The Free Library for being good stewards and for sharing these wonderful irreplaceable pieces of history with us.
K. Justice - Portland, Oregon
Monday, May 27, 2019
I enjoyed so much learning how important this bird was to Dickens, and Poe later, both of whom sensed the power of prophecy and a sort of truth-telling wisdom in this real raven. Native Americans revere this great animal and much too has been made of Ravens as "Trickster" figures. Sounds like Grip-Grip the clever, Grip the wicked, Grip the knowing" was a Trickster of the first order, inspiring two great artists at least.