Theater in Philadelphia has a long history, extending at least as far back as 1766 with the construction of the Southwark Theatre, which was located on South (then Cedar) Street, close to the waterfront. Since that time, the city has developed a rich theatrical heritage that included the establishment of theater troupes and the construction of new theaters throughout the city. Of note was the Chestnut Street Theatre, nicknamed as “Old Drury,” the Walnut Street Theatre, Arch Street Theatre, and the Academy of Music. Philadelphians enjoyed a wide breadth of popular entertainment at those theaters including, but not limited to, burlesque shows, minstrel shows, vaudeville, melodramas, comedies, and musical shows. In the mid 1800s, “Philadelphians loved ephemeral pieces based on contemporary life. At least thirty-seven plays, produced between 1841 and 1854, had the name of Philadelphia in their titles…” (Weigle, p. 342).

Paul E. Glase (born 1885) was an avid collector of early American playbills and materials relating to the history of the entertainment world. He is one of the best known directors and producers of amateur productions in the greater Philadelphia area. Glase started his entertainment career as an extra at the turn of the 20th century and later gravitated towards theater management. He was a manager of Wilmer & Vincent’s Embassy in Reading, PA, the State and Capitol theaters, and a press agent for the Hippodrome, Princess, Empire, Pictureland, Grand, Palace, and Orpheum Theatres. Glase also wrote for The Historical Review of Berks County and issued an annual pamphlet, “Lest We Forget,” in 1938 that contained brief reviews of careers of show people who died the previous year.

Bibliography

Weigle, Russel, editor. Philadelphia: A 300 Year History. New York: W.W. Norton and Company, 1982.

“History of Theatre in Collection of Showbills.” Box Office, January 26, 1952. 48-49. (http://issuu.com/boxoffice/docs/boxoffice_012652-1)

The 19th Century Playbills collection contains over 100,000 playbills dating from 1803 to 1899. The majority of playbills in the collection are from Philadelphia theaters, but there are also selected playbills from New York and other cities in the Northeastern United States.The collection also includes 26 scrapbooks which document the theater culture of Philadelphia from 1852 to 1939.

The “Playbills” series, 1803-1899, houses playbills from Philadelphia theaters including: the Walnut Street Theatre, the Academy of Music, the Arch Street Theatre, the Chestnut Street Theatre, National Theatre (Walnut Street), the National Theatre (Chestnut Street), the Melodeon, and the Continental Theatre. The series also contains playbills from the Chestnut Street, Arch Street, and 11th Street opera houses; and advertising sheets for several local museums, including the City Museum, Colonel Wood's Museum, and the Dime Museum.

The “Scrapbooks” series, 1852-1939, consists of two sets of theatrical scrapbooks. The first, “Philadelphia Programs,” is a set of 16 scrapbooks that documents the history of Philadelphia theater through playbills, articles, and illustrations of actors and actresses clipped from popular magazines. These volumes cover the period 1852 to 1939.

The other set of scrapbooks, “Paul E. Glase scrapbooks,” were compiled and donated to the Free Library of Philadelphia by Paul E. Glase. These ten scrapbooks are arranged alphabetically by actor and actress, and include playbills, programs, articles, and magazine illustrations. The Glase scrapbooks include materials from Philadelphia, New York, Boston, Baltimore, and Washington D.C.

With the exception of the Glase scrapbooks, most items in the collection are included in the Theatre Collection's Philadelphia Theatre Index, which chronicles where and when professional productions played in Philadelphia between 1855 and 2000.

The collection is arranged in two series: I. Playbills; and II. Scrapbooks. Series I is arranged alphabetically by theater. Series II is divided into two subseries: i. Philadelphia programs is arranged chronologically; ii. Paul E. Glase is arranged alphabetically by actor or actress's last name.

Publication Information:

Free Library of Philadelphia: Rare Book Department, 2010.06.22

Finding Aid Author:

Finding aid prepared by Megan Good and Forrest Wright

Sponsor:

The processing of this collection was made possible through generous funding from The Andrew W. Mellon Foundation, administered through the Council on Library and Information Resources’ “Cataloging Hidden Special Collections and Archives” Project.

Access Restrictions:

This collection is open for research use.

Use Restrictions:

The right of access to material does not imply the right of publication. Permission for reprinting, reproduction, or extensive quotation from the rare books, manuscripts, prints or drawings must be obtained through written application, stating the use to be made of the material.

The reader bears the responsibility for any possible infringement of copyright laws in the publication of such material.

A reproduction fee will be charged if the material is to be reproduced in a commercial publication.

Processing Information:

This collection was minimally processed in 2009-2011, as part of an experimental project conducted under the auspices of the Philadelphia Area Consortium of Special Collections Libraries to help eliminate processing backlog in Philadelphia repositories. A minimally processed collection is one processed at a less intensive rate than traditionally thought necessary to make a collection ready for use by researchers. When citing sources from this collection, researchers are advised to defer to folder titles provided in the finding aid rather than those provided on the physical folder.

Employing processing strategies outlined in Mark Greene's and Dennis Meissner's 2005 article, More Product, Less Process: Revamping Traditional Processing Approaches to Deal With Late 20th-Century Collections, the project team tested the limits of minimal processing on collections of all types and ages, in 23 Philadelphia area repositories. A primary goal of the project, the team processed at an average rate of 2-3 hours per linear foot of records, a fraction of the time ordinarily reserved for the arrangement and description of collections. Among other time saving strategies, the project team did not extensively review the content of the collections, replace acidic folders or complete any preservation work.

Historical Society of Philadelphia: Playbills collection.

• Academy of Music (Philadelphia, Pa.).
• Arch Street Theatre (Philadelphia, Pa.).
• Chestnut Street Theatre (Philadelphia, Pa.).
• National Theatre (Philadelphia, Pa.).
• Walnut Street Theatre (Organization : Philadelphia, Pa.).

• Clippings
• Playbills
• Scrapbooks
• Souvenir programs

• Philadelphia (Pa.)

• Burlesque (Theater)
• Comedy
• Drama
• Minstrel shows
• Musicals
• Performing arts
• Theater
• Vaudeville