Item No: c090510
Title: Japanese Bazaar
Additional Title: Japanese Bazaar
"Japanesischer [sic] Bazaar, Bazaar Japones, Japonais bazaar."
The Japanese are certainly the Yankees of the Asiatic continent. There is utility in their
arrangements and a wide-awake appreciation of the demands of business which show thrift and
thorough mercantile ability. Anticipating the curiosity which attends their movements among all
the visitors of the Exhibition, they resolved to make the most of the opportunity and turn
American inquisitiveness to their own advantage. The Japanese Bazaar is simply a shop,
furnished with goods likely to attract purchasers and wisely restricted to commodities which,
compared with the elaborate articles in the Japanese sections of the Main Building, are cheap.
The Bazaar is situated north of the House of Public Comfort, and opening eastward faces the
Swedish School-house. The building was erected by the artisans who put up the Japanese
dwelling. It is not so fine a piece of workmanship as the latter; but considering the object for
which it is intended, it must be pronounced in appearance and finish superior to most of the
temporary structures erected on the grounds. The main building shows a broad centre with
quadrangular wings at the ends, and the width is about 125 feet. The depth is probably forty feet,
and there is a storage annex adjoining. The interior may be said to be a series of counters, shelves
and tables, open to the air and light, protected only by the roof. The latter is in the usual Japanese
style, covered with black tiles, those at the edges being painted white. The principal roof
overhangs what might be called a shed roof, and the latter, in the centre of the main building and
at each of the wings, is decorated with pediments grotesque in shape, and not kept in order by the
severe attention to maintaining straight lines which is seen in American architecture. The little
piece of ground which surrounds this building has been enclosed and fixed up in Japanese garden
style. The flower-beds are laid out neatly and fenced in with bamboo. Screens of matting and of
dried grass divide the parterres. There is a fountain guiltless of jet d’eau from which the water
trickles. At the southern entrance a queer-shaped urn of granite on a pedestal, shows marks of
great age, being weather-worn and dilapidated. It must have done garden service years before
Perry opened Japan to the Western nations, and it was carved by Niphonese who had never seen a
foreigner, and who never could have expected that their work would be transported thousands of
miles to be inspected by millions of strangers. The garden statuary is peculiar. Bronze figures of
storks 6 to 9 feet high stand in groups at certain places, and a few bronze pigs are disposed in
easy comfort in shady places. The shelves and tables of the Bazaar are loaded with curious
goods, in the preparation of which these industrious people excel. There are bronzes of all sorts
and designs, china-ware, tea-services and unique ceramic articles odd in appearance, and some
devoted to strange uses. Of the gilded and varnished articles known as japanned ware there is
great variety, and there are numerous knickknacks and curiosities of all sorts which the Japanese
merchants are anxious to dispose of, and are ready to barter for greenbacks.
1 lithograph; 12 x 22 cm.
Removed from: Centennial portfolio / Thompson Westcott. Philadelphia : T. Hunter, 1876.
The Building, situated behind a fence in a landscaped field with trees and crane sculptures. People stroll at and around the bazaar.
Westcott, Thompson. Centennial portfolio.
Thomas Hunter, lithographer.